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Julia Yezbick | United States | 2015 | 39 m 6 s

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The Hinterlands, a Detroit-based performance ensemble, practice a form of training which they see as a provocation towards the unknown – a space both physical and imaginary. Their practice is one of concentrated play, of finding the edge of one’s balance, and the limits of one’s body. Sounds of their post-industrial environment fill the room while the embodied camera immerses the viewer in the ecstatic experience; merging the space of their ludic play with the liminal space of the cinema.